THREE CAME HOME-a very interesting WWII Women’s Japanese Prison Movie

THREE CAME HOME-is a troubling Movie about a very troubling Time Period in the World. Once an Oriental Society begins to Capture Lands. They will not Stop until they have Captured the World. China for instance will not STOP with just Taiwan. They will attempt to Capture the World once they start.

But this Movie is one that is a strong reminder of that DIVIDING LINE between Captives and Captors. And it is haunting. Many died during WWII in Prison Camps. Conditions were inhumane and some had it greatly worse than others. The Jewish Prison Camps will forever stand out as a Testimony to the Cruelty of Man. Where Death was every day there. Thankfully. This Movie isn’t on that Level of Death or Cruelty. But they Died. And Malaria was a constant threat. But lack of Food or barely enough to keep a person alive. And the constant Support that the Women showed for each other Case encouraging to see. But the Japanese were Cruel. No favors were given and a sick sense of Joy was prevalent among the Japanese Guards. But Watch it WE MUST. We cannot allow such reminders to simply Go Away. And then everyone can say it never took place. No, we must still Watch these Old Movies and gather the information to keep it from happening again. But I do wonder if we are now showing such a Blind Eye that WWIII and Prison Camps will return. They never have left in North Korea after the Korean War.

So Pop some Popcorn and Enjoy!

Upon the film’s February 1950 release, Bosley Crowther said the film “bids fair to stand as one of the strongest of the year”:[5]

“Miss Colbert’s performance is a beautifully modulated display of moods and passions and explosions under most inhuman and unnatural stress and strain. And Mr. Hayakawa’s calculation of the Japanese colonel is a rare accomplishment. But Patric Knowles is also excellent as the British husband of Mrs. Keith from whom she is early separated, and Florence Desmond is superb as a cheerful inmate in the prison camp. Indeed, a little fellow named Mark Keuning contributes immeasurably, too, as the 4-year-old son of the author to whom she desperately clings through her ordeal. Played against realistic settings, which vividly convey the meanness of the jungle prisons, and directed by Jean Negulesco for physical and emotional credibility, Three Came Home is a comprehensive film. It will shock you, disturb you, tear your heart out. But it will fill you fully with a great respect for a heroic soul.”

Three Came Home was Life magazine’s “Movie of the Week” for March 20, 1950.[43] According to Variety, “Agnes Newton Keith’s deeply affecting autobiog [sic] … has been turned from print to celluloid without any easing of the book’s harrowing impact”; “Many of the scenes are tearjerkers in the better sense of the word.”[44] In August 1976, Leslie Halliwell described the film as “[w]ell-made, harrowing”, assigning it 2 stars out of 4, a rarely granted high rating.[45]

A review published in TimesDaily noted that Colbert had played an “infrequent straight dramatic [part]” and praised the production’s authenticity.[46] Harold V. Cohen of Pittsburgh Post-Gazette praised the performances given by the actors and wrote that the story “hits the head and the heart like a whiplash, and lays a chill lump in the throat.” He further wrote that the film was “an absorbing saga of the blood and the sweat and the tears which were far removed from the battlefields of World War II”.[47] Kaspar Monahan of The Pittsburgh Press wrote that he had “seen no other film which deals so fairly with the Japs, depicted as individuals and not as types.” He praised the film’s authenticity and the cast members, especially Hayakawa and Colbert. He concluded his review by writing “It should be seen as a tribute to the gallant human spirit.”[48] Herb Miller wrote in the Sunday Herald that it was not a “pretty picture” but a “truthful one”. He termed the performances fine but praised Hayakawa by writing “Hayakawa dominates every scene in which he appears. He is a characterization that will rank with the best of the season.”[49] Mitch Woodbury wrote in the Toledo Blade that the film would “tear out” the viewer’s heart. He called it a “finely made”, “deftly played” and “realistically directed screen drama”, ignoring which “[was] impossible.”[50] Sunday Herald appreciated Colbert’s “sincere and memorable performance”, the film’s authenticity and called it “surprising restrained”. However it criticized Negulesco’s direction by saying that he “[had] just missed again”.[51]

In May 1985, and timed to correspond with Colbert’s return to Broadway in a revival of Aren’t We All?Howard Thompson, reviewed the film in anticipation of its “rare TV showing” on cable’s USA Network. He called it “a peak in Miss Colbert’s long and distinguished Hollywood career” and a “strong,

compassionate film vividly evokes the horror and bleak futility of war.” The film depicts “desperate women’s fortitude, tenacity and love… Miss Colbert’s honest, fervent portrayal – the same Miss Colbert now magnetizing Broadway in an airy, drawing-room bubble – mirrors it all.”[52] Thompson repeated his endorsement of the film a dozen years later when it was on the History Channel.[53] Film historian Daisuke Miyao wrote in Sessue Hayakawa: Silent Cinema and Transnational Stardom that Hayakawa’s role was similar to the ones he played in silent films: “a middle ground position between civilized and “Oriental menace”.[54] A review published in Movie Makers appreciated the director for “[putting] together an admirably honest drama of war, women and children.[55]

At the 1950 Vichy Film Festival, the film won the Best Film Award and Colbert won the Best Actor Trophy.[21] At the 1951 Freedoms Foundation Film Awards ceremony it was at the 4th place for “Outstanding achievement in bringing about a better understanding of the American way of life”.[56]

American-born Agnes Keith (Colbert) and her British husband Harry Keith (Patric Knowles) live a comfortable colonial life in North Borneo with their young son George in the 1930s. Keith is the only American in Sandakan.

Borneo was strategically important to Japan as it is located on the main sea routes between JavaSumatraMalaya and Celebes. Control of these routes was vital to securing the territory. Japan needed an assured supply, particularly of oil, in order to achieve its long-term goal of becoming the major power in the Pacific region.

Worried about the rumours surrounding Japanese invasion in 1941, Harry suggests that Agnes move back to the United States along with George. Agnes refuses and she and George remain.

The Imperial Japanese Army invade Borneo and intern the small British community in a camp on Pulau Berhala island off Sandakan. Later they are sent to the notorious Batu Lintang camp near Kuching, Sarawak, where the men and women are separated.

During the Japanese invasion of Sandakan, Agnes has a miscarriage.

These camps are under the charge of Colonel Suga (Sessue Hayakawa). Col. Suga is fluent in English and has read a book on Borneo written by Mrs. Keith. He treats Agnes well.

When Col. Suga visits Agnes at Batu Lintang camp and asks her to autograph a copy of her book as she had agreed to back in the earlier camp. Agnes signs the book with a personal message.

The camp guards are cruel and oppressive, as seen when they shoot down a group of Australian men who try to cross the wire fencing during a bit of flirtation with the women.

One night a Japanese guard attacks Agnes in an attempted rape when she runs outside in the night to bring in the washing being blown around in the strong winds. Later she complains to Col. Suga, who asks Lieutenant Nekata to investigate. Unfortunately Agnes is not able to identify her assailant as it was too dark. Nekata insists she identify the assailant by presenting her with a written statement for her to sign. She refuses to do so as she is aware that to make an unsubstantiated accusation against any Japanese soldier is punishable by death. In an effort to get her to sign the statement while Col. Suga is away she is tortured by Nekata’s junior officers (after he has left the room, to avoid being a witness to the beating) and threatened with further torture if she says anything to anyone. In great pain she tries to keep her injuries from her fellow captives. Eventually she agrees to withdraw her allegation.

In September 1945 Japan surrenders and Agnes learns from Col. Suga that all his family was killed at the end of the war. They used to live in Tokyo but his wife was so fearful that they moved to Hiroshima where she thought they would be safer. Col. Suga sees George and two other children eating from a paint can, and he invites them into his house, where he serves them a feast and then breaks down crying.

At the end, Allied troops arrive at the camp abandoned by the Japanese and the Keith family finally reunites.

Three Came Home is a 1950 American post-war film directed by Jean Negulesco, based on the memoirs of the same name by writer Agnes Newton Keith. It depicts Keith’s life in North Borneo in the period immediately before the Japanese invasion in 1942, and her subsequent internment and suffering, separated from her husband Harry, and with a young son to care for. Keith was initially interned at Berhala Island near SandakanNorth Borneo (today’s Sabah) but spent most of her captivity at Batu Lintang camp at KuchingSarawak. The camp was liberated in September 1945.

Three Came Home
Directed byJean Negulesco
Written byNunnally Johnson (Agnes Newton Keith, autobiography)
Screenplay byNunnally Johnson
Based onThree Came Home
1947 memoir
by Agnes Newton Keith
Produced byNunnally Johnson
StarringClaudette Colbert
Patric Knowles
Florence Desmond
Sessue Hayakawa
Phyllis Morris
Narrated byClaudette Colbert
CinematographyWilliam H. Daniels
Milton R. Krasner
Edited byDorothy Spencer
Music byHugo Friedhofer
Distributed by20th Century-Fox
Release dateFebruary 20, 1950 (US)March 27, 1950 (UK)May 18, 1950 (Australia)
Running time106 min.
CountryUnited States
Box office$1.9 million (US)[1][2][3]